Summer student volunteers advance production

By Kate Chatman

Team Gullah is expanding significantly this summer with our largest group of students in history. Ten students from diverse backgrounds get a behind-the-scenes look at the making of Gullah Gone: Preserving the Land, Water and Culture of the Sea Islands. Some students are volunteering to enhance their interest in media careers, while others want a chance to learn about Gullah culture. Ranging from sophomores to graduate students, the group has been trained to log and transcribe video footage at the University of South Carolina. They help sort through the backlog of imagery, sifting through interviews and organizing B-roll while highlighting the most pertinent quotes.

“Students are making a real contribution,” says Denise McGill, director of the film. “Plus, they add a lot of energy over the summer. It’s never dull around here.” The volunteer and work study program is speeding the process up tremendously, allowing the rest of the team to focus on story planning and editing. In addition to logging footage with Adobe Premier software, students share extra duties based on their experience and fields of study.

The volunteers include Alex Wyatt, a second-year student studying visual communications and marketing; Hannah Clingman is a third-year anthropology major; Valencia Abraham is a fourth-year student studying visual communications; Teleshia Toney is a fourth-year student majoring in media arts.

Anthropology major Kate Chatman works as production secretary, keeping the office organized this summer. John “Spud” McCullough, a doctoral student studying sociolinguistics, researches Gullah images in online library archives. Tiffany Jones, a doctoral student in anthropology, is a researcher. She also logs interviews with the most difficult Gullah dialects.

In addition, three student volunteers aren’t even from the University of South Carolina. Ashli White, a second-year student at Queens University of Charlotte studying business administration, is volunteering while at home in Columbia for the summer. Phoebe Johnson is a third-year mass communications major at Benedict College.

Maura Estes, a senior at Bandy’s High School in Catawba, N.C., even came for a few days to help work behind the scenes. She and the director met when they both screened short films at Myrtle Beach International Film Festival in April.

In addition to providing hands-on training, Team Gullah leaders host weekly workshops. These meetings allow volunteers to get to know one another better, and receive further training. Topics have ranged from interview techniques to a discussion of movies by filmmaker Pare Lorentz. “I feel like it provides good anthropological experience and exposure,” says Clingman, who volunteers about 20 hours per week. “You learn so many new things about Gullah culture.”

Volunteers realized their significance to the project when the footage they had logged was used in a trailer for the film. As of August 3rd, the trailer has received over 15,000 views. Several volunteers plan to stay on through the fall, and the team is looking forward to a productive rest of the year. For opportunities with The Gullah Project contact Production Manager Alex Cone at conealexb@gmail.com.

 

 

 

Film festival screenings bring awareness to Gullah/Geechee culture

Our team created a seven-minute overview of The Gullah Project to mark our progress. We entered the overview into film festivals as a short documentary. We are excited to report that out of nine entries, The Gullah Project overview was accepted into five festivals. It screened in five cities this spring.

The screenings have raised awareness about Gullah culture for audiences all over North America. There is little knowledge of Gullah history outside of the Southeast United States. At Toronto’s Female Eye Film Festival, few people in the international community had ever heard of the Gullah. Festivals hold a Q&A after each screening so viewers can learn how the film was made. Director/Producer Denise McGill was able to attend four of the festivals.

Film festivals are valuable because they provide feedback. Just to be accepted at so many venues is a very positive sign. Met professionals in the industry who take an interest in our project, offer good advice about further contacts, possible team members, next steps and distribution. Share ideas with other filmmakers and bond. Learn from their previous mistakes and successes. Spread the word about Gullah history and St. Helena Island. Learned what elements of our film are most engaging to the audience. How the film industry works. Set realistic goals. Join network of filmmakers with similar passion and causes.

Currently working on one-hour film with the goal of airing on public television. Since getting feedback, our team has made changes to the script, and continue editing. Nearly all the filming and field work is complete. Now we are fundraising. Funds will allow us to add major talent to our team, top professionals who can polish the visuals, audio, graphics, and soundtrack for the film.

Unfortunately, the overview is not available for the public online while it is at festivals. We’ll let you know when there is a way to see it.