Los Angeles funding and distribution company partners with Gullah film

The Gullah Project continues to expand its team as we advance production on our one-hour documentary film Gullah Gone: Preserving the Land, Water and Culture of the Sea Islands. In summer of 2017 we welcomed Los Angeles based funding and distribution company Brandon/Kane productions to our family.

Currently living in Vietnam, husband and wife team Victor and Edwina brought their years of marketing, business, fundraising  and distribution experience together to form this unique company. Their team consists of a group of strategy, social media, marketing and communications professionals that meet the distinctive needs of documentary filmmakers.

We sat down with Victor and Edwina to ask them about their work, partnering with the Gullah Project and their unique ties to Gullah culture.

1. How did you first become aware of The Gullah Project? When did you become
involved?

VIC: We were at the American Documentary Film Festival in April 2017 and Edwina was
serving on the pitch panel. Denise and Sherard were at that festival, primarily to pitch
Gullah Gone. Edwina was so impressed with the idea of the project, she made sure to
introduce me to Denise and Sherard before they left Palm Springs. After staying in touch
throughout that spring and early summer, Brandon/Kane Productions became formally
involved with the project during the Summer of 2017.

2. What drew you to the project? What does it mean to you?

VIC: There were several things that attracted us to the project. St. Helena Island and the
Gullah culture is near and dear to Edwina’s heart. Her maternal family is rooted in
Beaufort and stems from the Gullah people. There was a desire to become involved in a
project that brought her closer to her roots and gave her an opportunity to learn more.

EDWINA: For Vic, getting to know more about this part of my culture was exciting.
He had never had an opportunity to explore this part of the country. As someone who
loves to travel and experience new cultures, The Gullah Project put the low country at
the top of his list for places to visit. He can’t wait to get there!

Sherard Edwina OnSet

Producer Sherard Duvall & Edwina on set on St. Helena Island.

3. Why do you think Gullah Gone should be made?

BRANDON/KANE: The Gullah represent such a critical part of American history. The
majority of Americans don’t know this culture exists and that’s sad. Even fewer know
this community is on the verge of extinction. It’s a travesty to think the Gullah people
and their land may simply disappear. We believe Gullah Gone can make a difference by
educating mainstream populations about the Gullah culture, the need for preserving the land, and sustainable agriculture. Resolving these issues will help the Gullah community
thrive.

4. How did you come to start BKP?

BRANDON/KANE: Brandon/Kane Productions was started because we love documentary
film and we saw an opportunity to contribute our skills in a way that was really needed.
Documentarians are constantly faced with finding funds to work on the next phase of
their project while simultaneously holding down another job to help pay the bills. When
the projects are finished, the next hurdle is distribution . . . where to turn, when and
how. This doesn’t seem just to us. The process should be easier and sustainable for
filmmakers. We believe Brandon/Kane Productions is a solution for documentary
filmmakers. We help find funding and distribution for films. What’s the end result?
Filmmakers can stay focused on the creative elements of their projects and be more
efficient in the process.

Amy Sherard Denise Edwina Alex

Executive Producer Amy Shumaker, Sherard, Denise, Edwina and Alex Cone.

5. Tell me about your day to day with BKP. How will those experiences influence your work with TGP?

BRANDON/KANE: Our day to day experiences at Brandon/Kane Productions are as
varied as the projects we manage. We could be writing grants, networking with
prospective individual donors, researching funding and distribution sources, building
relationships with business partners, or a myriad of other things. Most important, we
encounter such a diverse array of people every day (whether it be in person, via skype,
or through email communication), our daily activities reflect one of our guiding
principles . . . to support stories that make this world a better place. To be more specific,
we both embrace diversity in our lives and enjoy interacting with as many cultures as
possible. As such, we will consistently bring partners to the table who embrace similar
values. We believe that perspective is essential for a project like Gullah Gone.

6. Do you have a favorite experience working with the project so far?

VIC: Edwina’s favorite experience was absolutely her trip to St. Helena Island. To be
even more specific, this presented the opportunity to meet Ed “Lee Man” Atkins. Denise
and Edwina stopped by his home for a minute to drop off a care package (Hurricane
Irma had just hit the Carolinas the previous week). Two hours later, we left having
feasted on fresh crab and beer, cooked at a moment’s notice by Lee Man’s wife. It epitomized the Gullah spirit and Edwina knew she was working on this project for all the
right reasons.

EDWINA: Vic hasn’t had the opportunity to interact directly with the cast nor most of
the crew. He holds down the fort at the home office most of the time. Nonetheless, he
loves his experiences. His favorite to date is reading the treatment of the film and
watching the short 7-minute version which introduces such interesting characters and
life stories that inspire him to meet them and hear their stories firsthand.

Edwina at The Atkins House

Edwina at crab dinner with the Atkins’ and the Gullah project team on St. Helena Island

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For more information about Brandon/Kane Productions, visit their website or follow them on Facebook or Twitter.